Wow, didn't March totally fly by?  Before we knew it April slipped in while we were all running around with Easter eggs.  During March the MRWG Bloggers were busy writing up a storm about a myriad of engaging topics.
Here's a quick look back over our shoulder at the fabulous offerings during March.
Margaret Midwood at http://www.margaretmidwood.com/my-blog.html posted two articles, "Increasing Word Counts and Satisfaction at the Keyboard" and "Writing and Pushing Through The Self Doubt.

Ebony McKenna at - http://ejmckennablog.blogspot.com.au has blogged about "The Lives of Cover Models", "Ondine's Army", "Keeping Time" and "Why Do E-books Cost So Much?".

Serena Tatti at the Story Editor Blog hosted Kamy Chetty who contributed "Using Deep POV to step out of the Slush Pile" http://serenatattistoryeditor.blogspot.com.au/2013/03/welcome-to-my-guest-author-kamy-chetty.html

Louise Reynolds has been continuing her Cooking the Books Series featuring Guest authors. In March she hosted:
Kamy Chetty - http://louwrites.wordpress.com/2013/03/08/cooking-the-books-kamy-chetty/
Madeline Ash - http://louwrites.wordpress.com/2013/03/13/cooking-the-books-madeline-ash/
Emmie Dark - http://louwrites.wordpress.com/2013/03/19/cooking-the-books-emmie-dark/
S E Gilchrist - http://louwrites.wordpress.com/2013/03/27/cooking-the-books-s-e-gilchrist/

Emmie dark was in competition mode in March and also celebrated the release of her Destiny Romance, "Spellbound", to read more follow this link : http://emmiedark.blogspot.com.au/2013/03/its-spellbound-release-day.html

Thanks for dropping by. I hope you find something special that you might have missed. 



 
 
After reading a great little book ‘How to write a book in 48 hours’ by Jack Morrow, I realised 1) there is money in self-help books and 2) you must be prepared before you sit down to write.

For me the ideas don’t spring forward the moment I sit at my blank computer screen, with fresh coffee, loads of chocolate and raring to go. For me it’s like extracting a tooth and I agonise over every word, paragraph and page, which can choke any spark I have.

But what if I’ve spent time thinking about my characters as I go through the day. I can plan what I’ll do to them, and see how they react. I can think about the places I can put them, where they will be out of their comfort zone. Depending on your memory jot down brief notes, or keep it tucked up in your head until it’s writing time.

And as Jack mentions, if you have a plan already in your head or jotted down, bare bones only, it must speed up your word count.

We don’t have to sit around wool gathering to do it either; we can do it while driving, in the shower, cooking the dinner, waiting in a line at the supermarket.

A few years back I did a workshop at an RWA conference and we practised meditation and the exercise of trying to picture your book, a scene, a point of change, and then sleep on it. We make this our final focus before sleep. Forget the cat, the kids’ lunches, the wet washing in the machine and just zone into your fictional world and see where it leads.

Another good tip to increase word count is to cut the internal editor out of the equation.

Assure your internal editor, and we all have one, you are getting words down. Thank him for his advice that your writing is crap and assure him you will edit it tomorrow – but not today.

Give it a go and maybe get Morrow’s book to see if you can increase your word counts.

Go with the flow and may the words and inspiration be with you.
 
 
My first three chapters are great—the best ever—and my lovely critique partners assure me they are. And then I just fizzle out, lose interest, and those voices disappear from my head.

This is where I start working on a new idea. But no more!!

I asked myself— where’s the excitement, the compulsion to stay up into the wee hours of the morning to write?

I started to believe I didn’t have thirteen chapters in me. However, when I looked back at my discarded stories I noticed they all had something in common—I stopped caring about my beautiful, sexy characters because I got bogged down in details while listening to that ever-present inner voice telling me I write crap. I thanked that voice for its opinion and set out to prove it wrong.

Plotter/Pantser

I’ve tried plotting only to realize I’m a pantser who suffers the angst of thousands of rewrites. I’m also a perfectionist, though you wouldn’t believe that if you saw my house. I go over and over my writing, get stuck for hours looking for that perfect word, or just right emotion! Well, I’m here to say there is no perfect word, no just right emotion.

If your story drags the reader in and takes them on your characters’ journey, they don’t even notice the writing because they’re too busy racing through the pages to find out what’s happening to these fictional people you’ve made them care about.

So what have I done to rectify my problem?

I’ve combined the best of both plotting and pantsing and I have charts! I can all but hear the groans.

To track my characters, I use charts borrowed from a workshop Fiona Lowe presented to the MRWG. Fiona is a sensational multi-published author and generous friend. She gives so much back to the writing community.

I also use another chart designed by me using Fiona’s teachings as a basis.

1. Maintaining the Tension http://fionalowe.com/articles.html which I fill in as I’m writing. I go through and make a list of ideas that relate to my story.

2. My worksheet is a simple list of the turning points based on my ‘How-to Recipe for Writing Category Romance’ http://www.margaretmidwood.com/my-how-to-recipe-for-writing-a-category-romance.html, which I also complete as I write and when those wonderful scenes spring into my mind.

Eg.

Start with a pivotal incident

Turning point one

Turning point two

Black moment

Epiphany realization

Happily Ever After.

I use sticky notes to jot the ideas down and pin them to a whiteboard or large sheet of paper (because my writing is virtually illegible, I often type them onto coloured paper and cut into squares.) This might seem like a lot of work but the advantage is you can see in a line what’s happened and it’s very easy to shuffle the order around if it’s not working.

This wonderful idea was shared with the MRWG by the talented author Paula Roe at her workshop.

I believe Scrivener http://www.literatureandlatte.com/scrivener.php has a useful tool for this and might be worth looking at as long as you don’t use this as another avoidance tool.

Navigation pane/Document map in Word is another useful tool to track the points in my manuscript. A simple highlighting of a line here and there will allow you to jump to this section. (Find the menu where it says normal, highlight the section you want highlighted and you can mark it as heading one which I use for chapters, heading two which I use for my points and can be folded down using an arrow when viewing in Navigation pane/ Document map. Paula Roe has a helpful article http://www.paularoe.com/docmap.html

Now, I’ve bared my terrible secret for you all, I hope if you’re still stuck in your chapters, re-writing and dissatisfied, then some of my suggestions might help.

The Goals

1. Write your first rough draft - ignoring that negative little editor in your head.

2.  Have your manuscript critiqued.

3. Revise your manuscript, include or discard suggestions and changes.

4. You have your wonderful book!

May the words flow, the end of your story be near, and the contracts follow.

Good luck,

Margaret Midwood

Useful links

http://www.melbournerwg.com/on-writing.html

http://www.how-to-write-a-book-now.com/writers-block.html

http://www.paularoe.com/docmap.html

http://www.literatureandlatte.com/scrivener.php

http://www.margaretmidwood.com/my-how-to-recipe-for-writing-a-category-romance.html

http://fionalowe.com/articles.html

 
 
By Margaret Midwood

Margaret’s How to recipe for writing a Category Romance!

I thought I’d share with you my formula, or maybe I’ll call it a recipe for a page turning romance that leaves you feeling satisfied just like a delicious choc chip muffin.

We start with a pivotal incident, our mixing bowl, where our hero and heroine will be tossed in together for the battle of their lives.

To the mix we need to add a bucket of conflict. External conflict drives the hero and heroine together, while internal conflict (their life experiences and beliefs, even if faulty) pushes them apart.

The stronger these conflicts/differences the stronger your story and the more personal challenges they have to overcome to be together, the more your reader will come back for more.

Stir in a generous scoop of emotion, and keep it on every page. Every scene must have a purpose and move the story along or you have to cut it. Don’t tell us about the furnishings unless it reveals something of the character or the situation.

Spoon in lashings of feelings and reactions. Show us how the hero and heroine are feeling. Don’t get angry. Sweep the desk of the pens! How would you react in a particular situation? We want to breathe your story, feel it, live it!

“Don’t tell me the moon is shining; show me the glint of light on broken glass.” Quote by Anton Chekhov.

Mix in plenty of angst. Make things bad for your hero and heroine, and then make things a zillion times worse. Torture your characters. Put them out of their comfort zone and see if they sink or swim.

Now you’re happy with the mix you have reached turning point one, your hero and heroine are ready to commit to the plot.

Everything is going well. This is turning point two, your hero and heroine are enjoying being together while their love is deepening. It’s a tranquil time where they commit to each other, the honeymoon in their relationship. You see a future.

A discovery is made and everything is over and the relationship fails. This is the black moment when all is lost, and there seems no way for the hero and heroine to be together.

Suddenly realization hits and we sort through our options and come to an understanding, this is the epiphany. The hero and heroine will sort through their conflicts solve their differences and change.

Ending with a satisfying Happily Ever After where we see the hero and heroine together and we believe in their future happiness. And together they can face life’s challenges.

Copyright: This article is © 2011 by Margaret Midwood – All Rights Reserved